For those interested in a reading, I like to offer a snapshot of available decks for those who would like to choose; and for other readers who just like to look at various decks, I am including a quick little blurb about each.
Listed in no particular order, they display the same cards for consistency in comparison.
Deck of the Bastard
by Tarot by Seven
Called Deck of the Bastard for its bastardization of different decks, it combines Rider Waite Smith (RWS) for minors, Etteilla for majors, and classic Italian Aces (see Tarocco Soprafino, below). It’s like the perfect Frankenstein of tarot decks.
This is the deck I use most for others, as its imagery is more easily identifiable (and I just like shuffling the supple, linen-finished cards). I also have a bridge-sized edition of this deck that is always in my bag.
by Erik Pollitt
I was drawn to the antiquated style of this deck, which was created from illustrations in the Dictionnaire Infernal; it gives me the nostalgic feel of the dusty old books I used to rummage through in the basement of my childhood home. Based on RWS, the imagery is pretty straightforward, but I have found it to be somewhat more cerebral in its tendency to make me think differently when interpreting their meanings.
It’s a very versatile deck that presents well, visually, in readings.
by Liz Huston
Although I loved the dreamy Victorian feel of this deck, I’m not generally a fan of collage effects in tarot and resisted buying it for many months. Once I did, its watery nature clicked immediately for me and I fell in love. The same thing happened with the book – I disregarded it as a little too traditional for me at first, but soon realized that there are pearls of wisdom contained in the ways that she articulates the meanings.
It has become my main journaling deck. I can ask it a deeply introspective question and it really hits the mark.
Murder of Crows
Lo Scarabeo (distributed by Llewellyn)
My shadowy inclinations squealed with glee when I saw this shiny new thing, and ordered it directly from the publisher before it was even released. Gorgeously illustrated by Corrado Roi, it speaks directly and effortlessly to our shadowy parts.
This is a great deck for those who like a darker aesthetic in their spreads, but the heavily laminated card stock makes the deck a little thicker, and thus harder for my small hands to shuffle. But I still love it.
The Relative Tarot
By Carrie Parris
Designed specifically for working with our ancestors, it was created from a myriad of old tintype photos that followers submitted of their own relatives, with symbols from the Waite-Smith card overlaid into the image. The border of each card contains its numerological / birth card constellation along with the name and number.
It came with an 80-card companion oracle in the same format, and – though not apparent in these dozen cards – both decks are culturally inclusive of regions around the world.
Salvador Dali Tarot (trimmed)
Dali was commissioned to produce this deck in the 70s for one of the Bond films. Although the contract fell through due to disagreements with the director, he still completed the deck.
With its surrealist style and random swirly brush strokes, the highly creative artwork lends itself to a more intuitive reading, and it remains one of the decks that is always out on my table.
Darkness of Light Tarot
by Tony DiMauro
Don’t be fooled by the dark aesthetic of this deck; its mood is very sweet. This is one of those decks that feels like an old friend happy to share a blanket on the couch while sipping tea and sorting through life’s curve balls. The inclusion of his dog in several of the cards only adds to the comfortably loyal vibe.
Sometimes it’s obvious when deck creators aren’t readers, but in this deck it doesn’t really matter. He was true to RWS imagery without any new twists, and puts forth the scenes with beautiful painterly technique.
by Bethalynne Bajema; via Attic Cartomancy
This deck reframes RWS in ink illustrations typical of the Victorian era. Its mood is light and fun, and since there are only animals (and the weird animal hybrids of that time period, like the frog with a duck head), pet lovers often like it. Though it carries a sense of whimsy, it can dole out the dark just as easily.
Bohemian Gothic Tarot
The darker sister to Baba Studios’ Victorian Romantic Tarot, it presents as dark & gothic at first glance, but its campy humor lightens it up. This is a really fun deck — especially if you like old horror movies, cold stone towers, and creepy kids in graveyards. It’s got a nighttime vibe and is cloaked in cool blacks and blues. It reads well in general; not just for the shadows. Though used copies are selling for hundreds of dollars on eBay and elsewhere, I’ll never give up this gem.
Touchstone Tarot (trimmed)
by Kat Black (now published by U.S. Games)
This is the deck that started me on the trail of independent tarot decks, and I still love the seamless blending of various Renaissance and Baroque works into RWS themes. I did have to remove the chunky “frame” borders, which allows them to expand a bit in a spread.
The card stock of the original deck is like stiff cardboard; so this may be one indie deck that benefits from mass market production.
Sola Busca Revisited
by Tarot by Seven
Neither RWS nor Sola Busca, it’s sort of a mash-up of them into a hybrid. The original Sola Busca artwork lost its names, was given a redder color palette, and had several of its cards reconfigured, swapped out, or moved around to more easily fit a RWS scheme.
This is my favorite tarot deck for several reasons, but since it’s from a deck that portrays its own system of esoteric meanings around the process of alchemy (and/or is suffering from a bit of an identity crisis), it’s a little bit wonky to read.
Tarot of the Holy Light (trimmed)
by Christine Payne-Towler and Michael Dowers
Speaking of decks with their own unique esoteric formulas, Tarot of the Holy Light is a Continental deck with 17th century-styled artwork. Its correspondences differ from the other esoteric systems such as Golden Dawn and Thelema, so it has a voice of its own. I haven’t used this deck a lot, yet; but plan to. With the white borders gone, they intermingle really well in a spread.
by il Meneghello
I love historic decks, and this beautiful reproduction of a historic Italian tarocco by il Meneghello retains the thick paper quality of the cards and square corners.
Because it’s a pip deck, it reads differently than the decks with scenic number cards, but is no less informative. In fact, the
This post is a work in progress! The following decks are still to be added:
Art History Tarot for Past Lives
Deck of the Dead
Arcana Tarot Playing Cards
New Orleans Voodoo Tarot
Leonardo da Vinci Tarot
Medieval Scapini Tarot
Rider Waite Smith